Then, you can think about if, and how, you'd like to grow your gear collection. If you are on a budget (and who isn't?) and new to DSLRs, start with the 18-55mm kit lens to get a feeling for what and how you like to shoot, and how much money you'll be prepared to invest. Instead, the closest approximation was f/5 and ISO 1250, which is still similar enough that the photos look equivalent. The ideal settings would have been f/5.2 and ISO 1367, but those aren’t values that the D7000 can set. Another favorite is the EF 70-200mm f/4L USM Telephoto Zoom selling for $600 or so. Full-frame sensor photo (Nikon D800e): f/8, ISO 3200, 150mm APS-C crop-sensor photo (Nikon D7000): f/5, ISO 1250, 100mm. These include the EF 50mm f/1.8 II, known affectionately as the "nifty-fifty," which sells for about $125. As you expand your collection, you can start with some great budget EF lenses that fit both DSLR types. And the apertures are also comparable because if we multiply 1.5 to Fuji’s 1.
APS C TO FULL FRAME CONVERSION FULL
It's quite good for the price and worth getting for a starter lens. After applying the conversion formulas, we know that a 56 designed for APSC is almost the same focal length as an 85 designed for full frame (56 times 1.5 84). So what should you do? Canon's budget cameras typically come with a big discount on its "kit" lens for small sensors - the EF-S 18-55mm f4-5.6 IS STM lens.
APS C TO FULL FRAME CONVERSION UPGRADE
If you upgrade to a full-frame camera and all you have are EF-S lenses, you'll have to start all over again. However, Canon also makes a line of lenses called "EF-S" that are smaller and cheaper but fit only the cameras with smaller sensors. Those with full-frame sensors range from about $1,500 to $6,000.Ĭanon's "EF" series lenses, which include all of its premium models, fit both DSLR types. Canon cameras with the smaller, APS-C sensors start at $400. Because a full frame camera takes full advantage of the wide angle lenses, while the APS-C does not, due to the fact that the APS-C is cutting off all the outside bits of the wide-angle image, meaning that it’s not so wide-angle any more. Its 1.6x for Canon EOS DSLRs and 1.5x for Nikon, Pentax and Sony (who have very slightly larger APS-C sensors). Shoot at wider apertures and you risk getting softer images, due to blurring from lens aberrations and, perhaps, inadequate depth of field. The factor relating the 50mm focal length of the normal full frame lens and the 31.3mm of the equivalent normal APS-C lens is often called the 'crop factor', sometimes the 'digital multiplier'. It’s long been considered a handy rule of thumb for getting the sharpest results from your lenses.
Your first decision in shopping for Canon gear is to consider your budget. I’m pretty sure most photographers will have heard the phrase ‘f/8 and be there’. (Image credit: The red frame indicates the crop factor from Full frame to ASP-C sensor.